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Winds of Change Questions And Answers | NCERT Solutions For Class 9 English Literature Chapter 5 | Kaveri

Winds of Change Questions And Answers Class 9

Kaveri | CBSE | Winds of Change Questions And Answers | NCERT Solutions For Class 9 English Literature Chapter 5 | Kaveri | Class IX | Best Guide 2026. It is required for Grade 9 students to build a strong foundation in the subject, and NCERT Solutions For Class 9 English Literature Chapter 5. Understanding the chapter thoroughly helps students grasp key concepts, improve comprehension, and perform well in exams.

In this article, Kaveri | CBSE | Winds of Change Questions And Answers | NCERT Solutions For Class 9 English Literature Chapter 5 | Kaveri | Class IX | Best Guide 2026, we (ThinkSphereEdu.com) provide a detailed Winds of Change Summary ​to make learning easier and more effective. Whether you are a student looking for well-explained solutions or a parent guiding your child, this guide will be a helpful resource for mastering the chapter with confidence.

CBSE | Kaveri | Winds of Change Questions And Answers Solved | Class 9 | English Literature | Must Read

The lesson “Winds of Change” talks about the history and importance of the pankha (hand fan) in India. The term pankha originates from the Sanskrit word pankh which describes a bird’s feather. The ancient world used small fans known as pankhi which their users depicted in Ajanta paintings. Pankhas served two purposes in temples to fan the gods and in royal courts to fan the kings.

The popularity of pankhas spread throughout India because people began creating different designs that reflected their regional preferences. The artisans crafted these products from bamboo and palm leaves and silk and brass and leather and enhanced their appearance through bead and stone and embroidery decorations. The people of each state developed their special pankha design which represented their unique cultural and traditional heritage. Rajasthan used appliqué and zardozi fans while Gujarat created mirror work fans and Bengal produced sola and palm leaf fans and Odisha and Bihar specialized in large and strong fans.

People today use pankhas as decorative items while they serve as essential components in handicrafts. The production of these fans provides financial support for many artisans. The traditional craft of fan making is becoming less relevant because people now use electric fans.

The lesson suggests that we should value and promote this craft by organising workshops and exhibitions. The preservation of cultural heritage will proceed through this process which will benefit both the culture and the artisans who create beautiful pankhas.

“परिवर्तन की हवाएँ” नामक पाठ में भारत में पंखे (हाथ के पंखे) के इतिहास और महत्व के बारे में बताया गया है। पंखा शब्द संस्कृत शब्द ‘पंख’ से आया है, जिसका अर्थ पक्षी का पंख होता है। प्राचीन काल में लोग पंखी नामक छोटे पंखों का उपयोग करते थे, जिन्हें अजंता की चित्रकला में दर्शाया गया है। मंदिरों में देवताओं को हवा देने और राज दरबारों में राजाओं को हवा देने के लिए पंखों का प्रयोग किया जाता था।

पंखों की लोकप्रियता पूरे भारत में फैल गई क्योंकि लोगों ने अपनी क्षेत्रीय पसंद के अनुसार विभिन्न डिज़ाइन बनाना शुरू कर दिया। कारीगरों ने बांस, ताड़ के पत्तों, रेशम, पीतल और चमड़े से इन पंखों का निर्माण किया और मनकों, पत्थरों और कढ़ाई से इन्हें और भी सुंदर बनाया। प्रत्येक राज्य के लोगों ने अपने विशिष्ट पंखे के डिज़ाइन विकसित किए जो उनकी अनूठी सांस्कृतिक और पारंपरिक विरासत को दर्शाते थे। राजस्थान में अलंकरण और जरदोजी के पंखे बनाए जाते थे, जबकि गुजरात में दर्पण का काम होता था, बंगाल में सोला और ताड़ के पत्तों के पंखे बनते थे, और ओडिशा और बिहार बड़े और मजबूत पंखों के निर्माण में विशेषज्ञ थे।

आजकल लोग पंखों का उपयोग सजावटी वस्तुओं के रूप में करते हैं, साथ ही ये हस्तशिल्प में एक आवश्यक घटक भी हैं। इन पंखों के उत्पादन से कई कारीगरों को आर्थिक सहायता मिलती है। पंखे बनाने की पारंपरिक कला अब उतनी प्रासंगिक नहीं रह गई है क्योंकि लोग अब बिजली के पंखों का इस्तेमाल करते हैं।

इस पाठ से पता चलता है कि हमें कार्यशालाओं और प्रदर्शनियों का आयोजन करके इस कला को महत्व देना चाहिए और इसे बढ़ावा देना चाहिए। इससे सांस्कृतिक विरासत का संरक्षण होगा, जिससे संस्कृति और सुंदर पंखे बनाने वाले कारीगरों दोनों को लाभ होगा।

“Winds of Change” (পরিবর্তনের হাওয়া) নামক পাঠটিতে ভারতে ‘পাখা’ (হাতের পাখা)-র ইতিহাস এবং গুরুত্ব নিয়ে আলোচনা করা হয়েছে। ‘পাখা’ শব্দটি সংস্কৃত শব্দ ‘পঙ্খ’ থেকে উদ্ভূত, যার অর্থ পাখির পালক। প্রাচীনকালে ছোট আকারের এক ধরণের পাখা ব্যবহৃত হতো, যা ‘পাখি’ নামে পরিচিত ছিল; অজন্তার চিত্রশিল্পে সেই পাখাগুলোর ছবি বা প্রতিকৃতি দেখতে পাওয়া যায়। মন্দিরে দেব-দেবীদের বাতাস করার কাজে এবং রাজদরবারে রাজাদের বাতাস করার কাজে—এই দুই উদ্দেশ্যে পাখা ব্যবহৃত হতো।

পাখার জনপ্রিয়তা সমগ্র ভারতজুড়ে ছড়িয়ে পড়েছিল, কারণ মানুষ তখন বিভিন্ন ধরণের নকশা তৈরি করতে শুরু করেছিল, যা তাদের নিজ নিজ অঞ্চলের রুচি ও পছন্দকে প্রতিফলিত করত। কারুশিল্পীরা বাঁশ, তালপাতা, রেশম, পিতল এবং চামড়া দিয়ে এই পাখাগুলো তৈরি করতেন এবং পুঁতি, পাথর ও সুচিশিল্পের (এমব্রয়ডারি) কারুকাজ দিয়ে সেগুলোর সৌন্দর্য আরও বাড়িয়ে তুলতেন। প্রতিটি রাজ্যের মানুষ পাখার নিজস্ব ও বিশেষ নকশা উদ্ভাবন করেছিল, যা তাদের অনন্য সাংস্কৃতিক ও ঐতিহ্যবাহী উত্তরাধিকারের প্রতিনিধিত্ব করত। রাজস্থানে ‘অ্যাপ্লিক’ ও ‘জারদোজি’ কাজের পাখা ব্যবহৃত হতো; অন্যদিকে গুজরাটে তৈরি হতো আয়নার কাজ করা পাখা, বাংলায় তৈরি হতো শোলা ও তালপাতার পাখা এবং ওড়িশা ও বিহার বড় ও মজবুত পাখা তৈরির ক্ষেত্রে বিশেষ পারদর্শিতা অর্জন করেছিল।

বর্তমানে মানুষ পাখাগুলোকে মূলত শোভাবর্ধক সামগ্রী হিসেবে ব্যবহার করে, পাশাপাশি হস্তশিল্পের জগতে এগুলো অপরিহার্য উপাদান হিসেবেও বিবেচিত হয়। এই পাখা তৈরির কাজটি বহু কারুশিল্পীর জীবিকা নির্বাহে আর্থিক সহায়তা প্রদান করে। তবে পাখা তৈরির এই ঐতিহ্যবাহী শিল্পটি বর্তমানে ক্রমশ তার প্রাসঙ্গিকতা হারাচ্ছে, কারণ মানুষ এখন বৈদ্যুতিক পাখার ওপরই বেশি নির্ভরশীল হয়ে পড়েছে।

এই পাঠটিতে পরামর্শ দেওয়া হয়েছে যে, কর্মশালা ও প্রদর্শনীর আয়োজনের মাধ্যমে আমাদের এই শিল্পকর্মটিকে যথাযথ মূল্যায়ন ও প্রচার করা উচিত। এই প্রক্রিয়ার মাধ্যমেই আমাদের সাংস্কৃতিক ঐতিহ্য সংরক্ষিত হবে, যা একইসাথে আমাদের সংস্কৃতি এবং যারা এই সুন্দর পাখাগুলো তৈরি করেন-সেই কারুশিল্পীদের-উভয়কেই উপকৃত করবে।

Winds of Change Question Answer | Exam Preparation | 2026-27

I visited the crafts fair yesterday. It was a wonderful experience. Each indigenous artefact was an innovative creation of industrious craftspersons with its intricate design. It invoked a sense of respect for the initiatives taken by the government to showcase them.

Column 1Column 2
1. indigenous(iv) local – from where it originated
2. innovative(v) new and original in approach
3. industrious(i) hardworking
4. intricate(vi) elaborate/detailed
5. invoked(iii) brought out
6. initiatives(ii) actions to improve a situation
StateType of FanMaterial Used
Rajasthanappliqué hand fanmade of pieces of cloth (fabric with ornamental needlework)
Rajasthanzardozi hand fangold thread
Rajasthantemple hand fansbrass
Gujaratmirror work hand fanscotton (with mirror work)
Gujaratbeads hand fanbeads
Gujaratleather hand fans (Kutch)leather, decorated with thread and wool
West Bengalsola hand fanssola (milky-white spongy material)
Uttar PradeshPhadh hand fansgold, silver zari, silk and satin
Biharbamboo hand fansbamboo

(i) State whether the following sentence is true or false.

Pankhas were one of the most popular items of commerce.

(ii) Why has the word ‘traditional’ been used to describe pankhas?

(iii) Complete the following statement.

The sentence ‘They were considered exotic and stylish’ is an opinion and not a fact
because ______________

(iv) Infer one reason for commonality in the use of pankhas across India.

(v) Select which one of the two statements is the correct assertion for the given reason.

Reason: Pankhas were made of indigenous materials, unique to the region, with elaborate designs.

  1. Each kind of pankha could be distinguished from the other.
  2. Pankhas were used by many people.

(i) Infer one negative impact of technological advancement on pankha.

(ii) Complete the statement with an appropriate reason.

The writer refers to ‘pankhas’ not just as an object but as a ‘culture’ because ______________.

(iii) Select a line from the extract which depicts. how the role of the pankha has changed over the years.

(iv) List one way in which the increase in demand of pankhas might beneft artisans.

(v) Select the factor that has contributed to the commercialisation of pankhas.

  1. cultural preservation
  2. economic demand
  3. technological advancements
  4. artisan initiative

1. How does the title ‘Winds of Change’ capture the essence of the chapter?

2. Support the following statement with any two relevant examples from the chapter.

‘The structure and design of pankhas are testimony to the cultural identity of the region.’

3. The chapter mentions pankhas running the risk of slowly losing their presence among Indians. Evaluate how the balance between preserving traditional craftsmanship and incorporating innovative designs in the creation of pankhas will help in this regard.

4. How might initiatives such as pankha-making workshops contribute to the preservation of this traditional craft?

5. The writer mentions celebrating pankhas in the concluding part of the chapter. Assess how this could be beneficial to artisans and the craft.

6. How does the restriction of the use of pankha for decorative purposes reflect the changing cultural role of these traditional fans in modern India?

AppearancePlaceMaterial
exotic and stylishwithin and outsidesilk and brass
ornate and encrustedvillages and townsthread and wool

Now, match the following meanings with the correct word pairs created above.

  1. in a difficult situation, without help or money–
  2. the damage to object due to normal use –
  3. accurate and detailed information –
  4. even when there are problems or difficulties–
  5. everyone, not just a few special people–
  6. often; on many or all occasions–
  7. To make a quick or sudden escape –
  1. The students have to (take/give) the English exam tomorrow.
  2. The interviewer asked the candidate to (take/have) a seat.
  3. My scooter (dashed against/ran into) a car.
  4. I must (take/own) responsibility for my success.
  5. I would like to (tone up/improve) my grammar

1. In modern times, pankhas have become traditional craft items in India.

2. Gujarat’s industrious home-based women workers have worked tirelessly in the handicraft of pankha-making.

3. Many tribes in India have adopted this handicraft.

4. Once made for personal use, this handicraft has transformed into a commercial business.

Now, fill in the blanks with the present perfect form of verbs in the following paragraph. One example has been done for you.

Puppets have long fascinated (fascinate) audiences worldwide. Puppeteers (i) _____ (create) intricate characters and captivating stories with their skillful artistry. They (ii) ____ (master) the delicate movements that bring these lifeless figures to life, entertaining both children and adults. Over the years, puppetry (iii) _____ (evolve), using modern technology while preserving traditional techniques. Many puppeteers (iv) ____ (pass) down their craft through generations, ensuring its continuity. They (v) _____ (perform) in theatres, on television, and at festivals, conveying important cultural narratives.

  1. Rohan thinks Grandma prefers heavier items because they feel more substantial.
  2. Priya suggests getting a pankha that can be easily moved around.
  3. Rohan believes Grandma enjoys sitting in the verandah during the evenings.
  4. Priya knows Grandma likes to keep special items close to her.
  5. Rohan thinks a pankha with intricate designs would be too delicate for Grandma’s liking.
  6. Priya suggests choosing between a bamboo pankha with beadwork or an embroidered pankha with mirror work.
  7. Rohan decides they should buy the pankha without consulting their mom.

Note – Begin with collection and organisation of the facts with the help of the pointers given above. Do not include your opinion in the factual description.

1. Who were Sue and Johnsy?

2. What illness did Johnsy suffer from?

3. Why was Sue worried about Johnsy?

4. What did Johnsy keep looking at outside the window?

5. What did Johnsy believe about the last leaf?

6. Who was Behrman?

7. What did Sue do to distract Johnsy?

1. Why did the doctor say that medicines would not help Johnsy?

2. Describe Johnsy’s strange belief about the ivy leaves.

3. How did Sue try to take Johnsy’s mind off her illness?

4. What was Behrman’s reaction when he heard about Johnsy’s belief?

5. Describe the weather on the night when only one leaf was left.

6. Why was Sue nervous while opening the window curtain?

7. How did the last leaf give hope to Johnsy?

8. What does the story tell us about the importance of hope?

9. Describe the friendship between Sue and Johnsy.

10. What was Behrman’s dream? Did he achieve it?

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